“NUMOROL”

Using a Milo motion control rig, each of the background scientists was a separate blue screen element to allow the director to concentrate on getting the individual’s action correct. The move was scaled and manipulated on set so that relative perspectives could be achieved for each person. The foreground trio needed to be shot together  for interaction  between each other and the table. Move data was later taken so that the CG environment could be added in post production.